Patriarchy in selected Gishu circumcision songs

Abstract

The study explored how patriarchy is portrayed in Gishu circumcision, explored how patriarchy is manifested in Gishu circumcision songs and the gender norms in Gishu circumcision songs. The study found that. The analysis of the circumcision songs reveals that they heavily reinforce patriarchal values. The songs glorify male dominance and resilience, portraying men as strong, brave, and authoritative. In contrast, women are often depicted in subordinate roles, their worth tied to traditional domestic functions and their sexuality portrayed in derogatory terms. The songs play a crucial role in transmitting and perpetuating traditional gender roles. The portrayal of men and women in these songs reflects and reinforces societal expectations, contributing to the internalization of these norms by community members, particularly the youth undergoing circumcision rites. The persistence of these patriarchal narratives is deeply rooted in the cultural and historical contexts of the Gishu community. The circumcision ceremony, a rite of passage that marks the transition from boyhood to manhood, is steeped in traditions that emphasize male superiority and the marginalization of women. Harmful Stereotypes and Gender-Based Violence: Some of the songs explicitly perpetuate harmful stereotypes about women and condone gender-based violence. This normalization of violence and objectification of women contributes to a culture of toxic masculinity and entrenched gender inequalities.