Margaret Trowell School of Industrial and Fine Arts (MTSIFA) Collection
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ItemExploring the presence of stained glass art in secura spaces in Kampala City in Uganda(Makerere University, 2026)This research endeavors to investigate the prevalence, characteristics, and significance of stainedglass art within secular spaces in Kampala, Uganda. While historically associated with religious institutions, stained glass has witnessed a resurgence and adaptation in diverse non-religious contexts globally. This study seeks to explore the extent to which this artistic medium has permeated the architectural and design landscape of Kampala's secular sphere, encompassing commercial establishments, public buildings, educational institutions, private residences, and cultural centers. The study begins by establishing a contextual framework, tracing the historical evolution of stained glass from its medieval origins to its contemporary applications. It will examine the factors contributing to its renewed interest in secular contexts worldwide, including advancements in glass technology, evolving aesthetic preferences, and a desire to incorporate elements of artistry and visual interest into modern design. The unique cultural and architectural backdrop of Kampala will be considered, acknowledging the city's blend of traditional and modern influences, as well as its growing appreciation for artistic expression. The core of this research will involve a systematic investigation of secular spaces within Kampala to identify instances of stained-glass art. Qualitative method will be providing deeper insights into the nature and significance of the stained glass encountered. This involved; Visual Documentation: High-resolution photographs and detailed descriptions of the stainedglass installations was collected to analyze their artistic styles, techniques, color palettes, and thematic content. Semi-structured Interviews: Interviews were conducted with architects, interior designers, property owners, and potentially the artists themselves. These interviews explored the motivations behind incorporating stained glass, the aesthetic considerations, the perceived impact of the artwork on the space and its occupants, and any cultural or symbolic meanings associated with the designs. Case Studies: In-depth case studies of selected prominent examples of stained glass in Kampala's secular spaces were undertaken. These case studies involved detailed visual analysis, archival research, and multiple stakeholder interviews to provide a comprehensive understanding of the artwork's conception, execution, and reception. The analysis of the collected data focus on identifying patterns and trends in the prevalence and characteristics of stained glass in Kampala's secular spaces. This include examining the types of secular spaces where stained glass was most commonly found, the dominant artistic styles and themes, the scale and integration of the artwork within the overall design, and the materials and techniques employed. The study was to explore the potential functions of stained glass in these contexts, such as enhancing aesthetic appeal, creating focal points, controlling light and privacy, and conveying specific messages or identities. Expected outcomes of the research include: The significance of this research lies in its contribution to the understanding of the evolving role of stained glass beyond its traditional religious confines. By focusing on Kampala, a rapidly developing African city with a unique cultural identity, the study provided valuable insights into the globalization and localization of artistic practices. It shed light on how a historically significant art form is being reinterpreted and integrated into contemporary secular spaces in a non-Western context. The findings may be of interest to architects, designers, art historians, cultural researchers, and urban planners. Potential limitations of this study may include the accessibility of certain private or commercial spaces, the availability of information regarding the artists and the design rationale, and the potential for subjective interpretations in the qualitative data analysis. Efforts were made to mitigate these limitations through careful planning, diverse sampling strategies, and rigorous analytical techniques. Ultimately, this research aimed to provide a comprehensive exploration of the prevalence and significance of stained-glass art in the secular spaces of Kampala, contributing to a broader understanding of the intersection of art, architecture, and urban culture in a dynamic African city. The findings offered a nuanced perspective on the adaptability and enduring appeal of stained glass as an artistic style.
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ItemThe problems encounteered in painting( 2024)This research helped identify the problems encountered in the painting course unit and more so analyzed its impacts on the Bachelor of Industrial and Fine Arts course unit at large. The research is based on a number of objectives that’s to say to evaluate painting in a more developmental perspective, to initiate new painting ideas and techniques, to attract explosive engagements of students in painting. Furthermore, the research methodology used in the study may include applied research intended to identify solutions to specific problems or find answers to specific questions then also Fundamental research designed to help researchers better understand certain phenomenal and how it works.
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ItemMeaning and disposal practices of death ritual waste materials in Ganda society of Central Uganda( 2024)Print making is the process of making or creating artworks by printing on a given surface. It is an artistic process of transferring images from a matrix unto another surface and the types include relief printmaking, lithography, serigraph (screen printing), intaglio, mono type. Printmaking is the part of the elective course units at Margaret Trowel School of Industrial and Fine Arts including drawing elective, art appreciation, communication design, printing,. painting, sculpture, ceramics, textile, fabric to mention but a few. Printmaking as a course unit at Margaret Trowel School of Industrial and Fine Art has enabled many students who specialize in it to know the importance of print making, knowing more about print making, the requirements needed for one to become the great artist in printmaking, ways how great print makers achieve etc
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ItemA report on print making being an supplement to early pregnancy sensitization( 2023)Print making is the process of making or creating artworks by printing on a given surface. It is an artistic process of transferring images from a matrix unto another surface and the types include relief printmaking, lithography, serigraph (screen printing), intaglio, mono type. Printmaking is the part of the elective course units at Margaret Trowel School of Industrial and Fine Arts including drawing elective, art appreciation, communication design, printing,. painting, sculpture, ceramics, textile, fabric to mention but a few. Printmaking as a course unit at Margaret Trowel School of Industrial and Fine Art has enabled many students who specialize in it to know the importance of print making, knowing more about print making, the requirements needed for one to become the great artist in printmaking, ways how great print makers achieve etc
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ItemHow the competence based curriculum for lower secondary prepares upcoming artists for advanced learning in higher institutions with basis from Margaret Trowel School of Industrial and Fine Art(Makerere University, 2025)How the competence based curriculum newly issued by the Uganda Government in 2021 prepares upcoming artists in lower secondary for advanced learning.