School of Liberal and Performing Arts (SLPA) Collection
Permanent URI for this collection
Browse
Recent Submissions
1 - 5 of 164
-
ItemThe role of Galaxy FM in the promotion of upcoming musicians in Kampala(Makerere University, 2026)This study addressed the role of Galaxy FM in the promotion of upcoming musicians in Kampala. This study was focused to find out the benefits upcoming musicians get from promoting with radio, criteria used by Galaxy to promote musicians. It furthermore investigated the challenges incurred by both Galaxy and upcoming musicians during the promotion of the music. Most upcoming musicians in Kampala had started to write off the radio stations as one of the major ways of promoting their music and had resorted to social media platforms. But later, they realized that even if one is trending on the digital platforms, he/she must also be on the radios. Because radios could help them reach their target audience faster. So, this motivated me to carry out this study, and it was conducted in parts of Kampala (Ggaba, wandegeya, jinjakalori). I also oughted to use the Qualitative method of data collection and used tools such as; interviews, observation, and others. And here I managed to interview three upcoming musicians and five Galaxy FM Djs. Furthermore, with the use of the internet I also managed to gather some information that I used for my literature review and get data about my study from related studies already in existence. The study proved that upcoming musicians in Kampala benefit a lot when they promote their music through radio. The musicians get chance to share stages with already proven Artists; they also get opportunities to sing on the radio‘s events and are paid. The findings furthermore showed that musicians also get chance for their music to reach wider audiences than they imagined hence increasing their chances of succeeding in the industry. In conclusion, I realized that Galaxy FM plays a vital role in the promotion of upcoming musicians even though the digital media is also active. And Galaxy FM has really played a significant role in the music industry of Uganda.
-
ItemThe role of church music in community upbringing All Saints Cathedral Nakasero(Makerere University, 2026)This study investigates the role of church music in community upbringing. To achieve this, the researcher identified All Saints Church members, from three groups and these groups were the children, the youth ministry, and the clergy from All Saints Church, Nakasero, using a purposive sampling technique. The objectives of study were to examine the role of church music in community upbringing at All Saints Cathedral, Nakasero, to assess how church music influences moral and spiritual development within communities, to analyze the contribution of church music to social cohesion and integration, to examine the role of church music in preserving and transmitting cultural identity. I employed a qualitative research methodology for data collection. In using this methodology, such as in-depth interviews, focus group discussions, and document review. Audio-visual recording, note-taking, participate observation helped me interact with my informants to share their experiences about the topic of study with relevant information. The study confirms that church music brings people together in worship, fellowship, and celebration. It nurtures moral and spiritual growth. Songs in church are not only artistic expressions but also carriers of biblical teachings. Through lyrics, believers learn values such as honesty, forgiveness, and compassion. Furthermore, church music empowers youth to gain confidence and leadership skills through participation in choirs, bands, and worship teams. They learn discipline, responsibility, and teamwork while discovering their talents. Church music promotes peace and emotional healing by teaching people how to calm emotions and bring hope during difficult times. In communities facing challenges such as poverty, conflict, or loss, church music provides encouragement and strength.
-
ItemThe continuity and changes involved in Ajosi dance performed of the Teso people in Asuret Community, Soroti City.(Makerere University, 2026)This study examined the continuity and change in the Ajosi dance of the Iteso people, with particular focus on the Asuret community in Soroti City, Uganda. The study aimed to explore the historical background of Ajosi dance, its social and cultural significance, the factors contributing to continuity and change, and the measures being undertaken to preserve the dance in the face of modernization and globalization. A qualitative research design was employed, using interviews, observation, and document review to collect data from cultural leaders, elders, performers, and community members. The collected data were analyzed thematically. The findings revealed that Ajosi dance continues to play an important role in promoting cultural identity, social cohesion, entertainment, and the transmission of indigenous knowledge and values among the Iteso people. However, the study also established that modernization, urbanization, formal education, religious influences, technological advancement, and changing lifestyles have significantly influenced the performance, costumes, instruments, and occasions on which the dance is performed. Despite these changes, community elders, cultural institutions, schools, and local leaders are actively promoting the preservation of Ajosi dance through cultural festivals, education, documentation, and intergenerational knowledge transfer. The study concludes that although Ajosi dance has undergone considerable transformation, it remains an important symbol of Iteso cultural heritage. The study recommends increased government support, integration of indigenous dances into school curricula, documentation of traditional knowledge, and strengthened community participation to ensure the sustainability and transmission of Ajosi dance to future generations.
-
ItemThe retrogression of the hymnal music culture in Ugandan traditional churches. a case study of Anglican church music in Namirembe Diocese(Makerere University, 2026)This study addressed the retrogression of the hymnal music culture in Uganda's traditional churches, using Anglican church music in Namirembe Diocese as a case study. The study was conducted to examine the retrogression of hymnal music in Namirembe Diocese by tracing its historical development from its establishment and growth to its present state, while seeking to understand the major factors responsible for its decline. Particular attention was given to the changing nature of Anglican worship and the increasing adoption of a permissive Pentecostal approach, including the incorporation of Pentecostal musical practices into Anglican worship. The study further examined the position of music education within Uganda's national education system, the musical background of the clergy, changes in congregational musical participation, technological developments, socioeconomic conditions, and other factors that have influenced the transmission and preservation of hymnal music. The study employed a qualitative case study design. Data were collected through interviews, document analysis, and observation, drawing information from relevant church leaders, clergy, musicians, choristers, congregants, and other participants involved in the practice of hymnal music. The data was analysed thematically to identify recurring patterns and relationships among the factors contributing to the retrogression of hymnal music in the Diocese. The findings revealed that the retrogression of hymnal music is not attributable to a single factor but results from the interaction of several ecclesiastical, educational, social, technological, and cultural factors. The study found that the increasing adoption of a permissive Pentecostal approach has significantly influenced Anglican worship structures and musical practices, contributing to the reduced prominence of the traditional hymnal repertoire. The incorporation of praise-and-worship practices, constantly changing contemporary repertoires, spontaneous singing, amplified instrumentation, and greater emphasis on emotional and bodily expression has created a worship environment in which the systematic teaching, rehearsal, and preservation of traditional hymns receive comparatively less attention. The study also established that limited worship time, inadequate musical formation of clergy and church musicians, weaknesses in the position and support of music education within the national curriculum, socioeconomic limitations, and technological changes have further contributed to the weakening of the hymnal music tradition. The study concludes that the retrogression of hymnal music in Namirembe Diocese reflects a broader transformation in the way Anglican worship is understood, organized, taught, and musically expressed. While contemporary musical approaches have increased accessibility and participation among some congregants, their unbalanced incorporation may weaken the continuity of the Anglican hymnal heritage when systematic musical formation and deliberate preservation are neglected. The study therefore recommends strengthened musical literacy and training for clergy during seminary formation, the establishment of regular musical retreats and training programmes for church choristers, a thoughtful restructuring or consolidation of Anglican liturgical practice to respond to changing generational demands while preserving its musical heritage, and greater attention by the government and relevant educational authorities to the stability and development of music education within Uganda's education system.
-
ItemThe impact of ragga music on the politics of Kyadondo County, Uganda(Makerere University, 2026)This study examines the impact of ragga music on the political landscape of Kyadondo County, Uganda, focusing on its role as a tool of mobilization, civic awareness, cultural identity, and political expression. Ragga music, popularized by artists such as Bobi Wine, has transcended entertainment to become a powerful medium of political communication. Through lyrical content, performances, and grassroots engagement, ragga music has mobilized youth participation, raised consciousness about governance and social justice, and fostered a sense of cultural pride within political discourse. However, its influence is double sided, while it has empowered marginalized communities and expanded democratic participation; it has also contributed to political polarization, oversimplification of complex issues, and provoked state repression against artists and audiences. Using case studies from the Kyadondo East by election and subsequent political developments, this research highlights ragga music as both a catalyst for political transformation and a contested space of resistance. The findings underscore the dual nature of music as a socio political force, offering insights into how it shapes political identity and participation in Uganda.